A Brussels homicide cop (Jérémie Renier) begins to lose control of his life as he tries to solve a bizarre murder.

Waste Land is a tragicomic ensemble film about a bunch of kids squatting an abandoned seaside hotel. The shabby hotel offers a life outside the society, at least momentarily. The house is more than a house – it is a utopian space for love, partying and freedom. But can the days of ease last when the squat is confronted both by outside forces and by internal conflicts?

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Waste takes place in an imaginary civil war in the hitherto peaceful and pacifist Icelandic society. The film tells the story of a soldier who increasingly questions the usefulness and purpose of wars.

Read by actors Michael Gough, Edward Fox, and Eileen Atkins, T. S. Eliot’s The Waste Land expresses the disillusionment and disgust of the post–World War I era in Europe. In this documentary, professor Frank Kermode, biographer Peter Ackroyd, and poets Sir Stephen Spender and Craig Raine examine the complex nature of Eliot’s influential poem, analyze its appeal, and trace the reasons why it became one of the best-known emblems of the 20th century.

American Waste takes us into the world of Joan and Miles as they navigate through their life of junkyard dogs, public access psychics, and metalhead neighbors. Joan works shifts at the local junkyard to afford the couple’s prized sofa bed. In the midst of this seemingly never-ending cycle, the couple struggles to figure out what their next move is and if they are really ready to move on from their friends and the deadbeat town that they’ve grown to love.

Jamal and Pratap are close friends until one is sentenced to five years in jail and the other becomes involved in gang activity.

John hasn't left his bedroom for ten years. Today he could, in a time machine.

The twisted ladder of friendship leads upwards and outwards towards the inevitable. In one day, on one such journey, Happy and Murray find out way too much about each other's past. Still they keep climbing.

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